Deadly Decks

Deadly Decks explores how recycled skateboard decks can become a platform for sustainability and Indigenous Australian art and design. Each deck is a unique, hand-painted artwork that celebrates stories of Country, Dreaming, and Blak strength, transforming discarded materials into meaningful expressions of culture and identity.

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PAWTRACK App

PAWTRACK is a collaborative pet-care app that helps families share responsibility for their dogs. Through shared task tracking, reminders, and activity goals, it promotes teamwork, accountability, and communication while ensuring dogs receive the exercise, enrichment, and attention they need. PAWTRACK makes pet care more engaging, rewarding, and manageable for everyone.

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Intuition Magazine

Intuition Magazine explores how corporate culture often favours traditionally masculine presentations of professionalism, encouraging women to conform to narrow workplace expectations. Through visual storytelling and editorial design, the project examines gender, identity, and workplace culture, questioning what it means to be taken seriously in professional spaces.

Indigenous Voices

I was given the opportunity by Julie Ballangarry and Sara Davies to design the book cover for Indigenous Voices on Women’s Peace and Security, a publication centring Indigenous perspectives and experiences.

Working closely with their brief and feedback throughout the design process, I developed To the Future (2026), a cover that responds to the publication’s themes through a considered visual approach.

  • Beyond the Broncos Workshop

  • Artwork in GOMA

  • Broncos Workshop

  • Blaklash x Duracube

Ghosts n’ Greed

Ghosts 'n Greed provides an opportunity to understand how history continuously impacts the contemporary world.

It recovers lost knowledge and reintroduces it into a world that often fights against acknowledging an ugly truth - that Australia was invaded. The work strives to bring knowledge of colonisation into a modern light through the manipulation of contemporary media and by viewing history from an alternative perspective.

Did you know many First Nations people accepted white colonisers onto their lands, believing them to be ghosts passing through to the afterlife? By painting over images taken on my mob's traditional land, I aim to recover this knowledge.

Glitching effects, with images from real life, emphasises how the video is not just a game. It is a recurring reality. It serves to show how Indigenous peoples' voices were erased. Stories of colonisation, as told from an Indigenous perspective, shed a new light onto the history we know.